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On a cool Halloween night, I stood atop Summit Hill outside of Boston, watching my ten-year-old son dressed as Superman bumble up the darkened street with his friends. One boy lurched forward dressed as a refrigerator in his lit-up cardboard box; another hoisted a hobo’s stick over his shoulder, his eyes blackened with coal. As I waited on the cold grass, contemplating the hard fact that I’d have to sell my condo as a single mother who couldn’t keep up with mortgage payments, I had no idea how much I needed community—or how stubbornly I would resist it.

I had spent two years teaching at Boston University and writing a novel about Helen Keller’s secret love affair, hunched over a desk crammed into my kitchen corner while laundry thumped in the dryer beyond. I wrote alone on Christmas Eve while my son slept, alone during sweltering Boston summers, alone through rejection after rejection from literary agents. I did have a writing partner with whom I met to share chapters and get feedback, but did not share the manuscript with anyone else out of fear of criticism.

April 2026


Romantasy 101

Where Magic Meets Love—and Someone Probably Has Wings


The Big Conversation

The Present and Future of Literary Magazines


Finding Home in the Long Middle


Finding Your Face

When Metaphor Becomes a Mask


Unsilencing History


The Art and Craft of the Substack Newsletter


From Isolation to Community


Oiling Your Armor

On Rejection and Remembering Why You Write

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